Chang: A Drama of the Wilderness (1927)
DVD5 | ISO+MDS | NTSC 4:3 (720x480) | 01:09:20 | 3,86 Gb
Musical Score AC3 2.0 @ 224 Kbps with English intertitles + Commentary track Genre: Adventure, Documentary | Nominated for Oscar | USA
Several years before making their phenomenally successful classic King Kong (1933), directors Merian Cooper and Ernest Schoedsack helmed this ethnographic docudrama set in the jungles of “Siam” (now Thailand). Basing their loose narrative on months of exposure to the natives’ daily lives, the story comes across as remarkably authentic, despite its clear staging. The close-up shots Cooper and Schoedsack were able to get of wild animals (including the infamous “tiger shot”, when a tiger’s snout literally swipes the camera’s lens) are remarkable today, and must have been doubly so back to audiences back in 1927. While this film is recommended as must-see viewing for its historical importance, it’s full of memorable images, and chances are you’ll enjoy it more than you expect.
In the directors' own words, Chang is a "melodrama with man, the jungle, and wild animals as its cast." Kru, the farmer depicted in the film, battles leopards, tigers, and even a herd of elephants, all of which pose a constant threat to his livelihood. As filmmakers, Cooper and Schoedsack attempted to capture real life with their cameras, though they often re-staged events that had not been captured adequately on film. The danger was real to all the people and animals involved. Tigers, leopards, and bears are slaughtered on camera, while the film's climax shows Kru's house being demolished by an elephant stampede which levels an entire village. Only the closest scrutiny reveals the artificial means by which the producers achieved this climax: they built a miniature village, then unleashed a herd of baby elephants!
Chang was nominated for the Academy Award for Unique and Artistic Production at the first Academy Awards in 1929, the only year when that award was presented
Now best known as the driving force behind the original 1933 King Kong and the model for its Carl Denham character, Merian C. Cooper led an adventurous life much like Teddy Roosevelt and the fictional Indiana Jones. After joining the National Guard to chase Pancho Villa in 1916, Cooper soon after joined the American Kosciuszko Squadron to support the Polish army against Soviet Russia. This is where he met lifelong friend and fellow movie producer Ernest B. Schoedsack. The two buddies continually sought adventure around the globe and jointly produced a number of films, beginning with their 1925 documentary Grass: A Nation's Battle for Life about a nomadic Persian tribe. Their exploits are detailed comprehensively on the special features section of the long anticipated King Kong DVD; that's what prompted me to rent Chang: A Drama of the Wilderness.
It's more like a "Jungle Melodrama." Although filmed semi-documentary style in the jungles of Siam (now Thailand) with untrained Laotian actors, the film is decidedly scripted for jungle adventure to set up conflicts with the local fauna. For instance, what native would ever tie a baby elephant to one of the main stilts holding up his family home, knowing that its mother has to be in the neighborhood? Of course, the whole premise of one lone family trying to stake out a small family farm in the middle of a jungle teeming with pythons, leopards, and tigers is pretty ludicrous.
Filmed in 1927, twelve years before the Motion Picture Industry worked out an agreement with the American Humane Association, this film harms large quantities of animals. In fact, scenes are specifically set up to shoot a few leopards and a couple of tigers. Another scene shows a number of captured animals in cages ready to ship (to zoos?) that includes a baby anteater, baby leopards, and a baby bear (prompting the audience to wonder what happened to the mother that we saw previously).
Cooper incorporates some of the conceits that Robert J. Flaherty uses in his 1922 Nanook of the North by using Laotian tribesmen and focusing on one family: Kru, his wife Chantui (not his real wife, however), and their three children. However, Cooper ignores any viable ethnographic study for the sake of adventure. He first sets up a minimalist scenario for Kru--the most daring of his tribe, who has taken his family deeper into the jungle to clear his own land, secure his livestock (his wealth), and grow his own rice. Chantui briefly shucks rice in the opening, but that's far too mundane a task to follow up on.
Instead, a leopard sneaks inside the pen and devours the family goat and then a tiger attacks the family water buffalo. That sets up the big cat hunt because Kru has seen "many leopards" besides the one that he's just set a trap for. Thirty brave hunters help build a variety of traps--pits, snares, and death slabs filled with pointed bamboo--to assist. These work to a degree, but the rifles are the most reliable weapon they have against charging big cats. We are treated to a number hunting scenes, and the most thrilling single shot of the entire movie occurs when one treed hunter is pursued by a tiger. Considering the quality of the camera lenses in 192, we can appreciate the courage of the cameraman that gets that closeup of that angry tiger's jaws!
Another highlight takes place near the end of the film when the "great herd" (elephants) stampedes through the village, flattening their stilted huts like smashed armadillos on a Texas highway. I'm not sure how Cooper and Schoedsack were able to choreograph these wild elephants, but they are smashing and brought to the screen with some incredible low angle shots that literally put us right under their feet! If you just want to see the two standout scenes, get hold of the special edition of King Kong and watch the background features, but the entire film is still worth checking out, especially since Milestone Film's re-issue with musical score. The DVD includes interesting background material from film historian Rudy Behlmer chronicling the numerous difficulties Cooper faced along the way.
While a number of inter-title cards are dated with hokey expressions or over-romanticized sentiments about man's place in the universe, remarkably the film continues to stand up as entertaining adventure. It's understandable that the public really took to Chang in 1927 to see exciting footage of real jungle animals (and a dangerous big game hunt) and why it was an Oscar nominee that year. It also helps explain why a number of people would venture into the theaters six years later in the midst of the Great Depression for further entertainment from Cooper and Schoedsack.
Special Features:
- Audio Commentary by Film Historian Rudy Behlmer
- Chang Production Essay
- Chang Color Test
- Chang Original Press Kit
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发表于 2011-11-25 23:53:29
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